Vol 2 No 2 (2025): The Evolution of Syriac Poetry: A Structural Analysis of Madrasha and Memra

The article delves into the structural evolution of Syriac poetry, specifically examining the two main poetic forms: madrasha (stanzaic hymns) and memra (verse homilies). It explores how these forms have evolved over time to meet the theological and cultural needs of the Syriac Christian tradition. Through an in-depth structural analysis, the article highlights the key features of madrasha, such as its intricate stanzaic patterns and use of refrains, which enhance the emotional and participatory aspects of worship. On the other hand, memra is analyzed for its use of isosyllabic couplets, emphasizing clarity and memorability in its theological and moral teachings.

The article also investigates how theological themes like Christology and eschatology have influenced these poetic forms, enabling them to communicate complex theological ideas. It discusses how poets like Ephrem the Syrian and Jacob of Serugh shaped their works to address the theological concerns of their communities, while also exploring how these poetic traditions were adapted to different regional contexts, particularly the differences between West Syrian and East Syrian traditions.

Further, the article highlights the lasting impact of Syriac poetry on later Christian hymnography, particularly within Byzantine and Arabic Christian traditions. The study concludes by examining the significant role these poetic forms have played in shaping Christian liturgy and theological expression, urging further research into their continued influence in modern Christian practices and literature.

This comprehensive study provides a valuable contribution to the understanding of early Christian literature and its role in the development of Christian worship, offering insights into the ongoing legacy of Syriac poetry